Bojana Robinson, born in 1982 in Belgrade, is a choreographer, dancer, and performer based in Ljubljana. She works in the fields of dance, performance, and theater, and is interested in collaborations that foster a horizontal exchange of practices and knowledge.

In her original work, she explores staging strategies and uncovers various performative mechanisms for bringing questions from the intimate realm into the public sphere. Her original performance Oh, how very ordinary (co-authored with Katja Legin) was presented at the Mladi levi Festival 2022, the Krušče Festival 2022, the Desire Central Station Festival 2022, and Gibanica 2023. Her original performance Mašina premiered in 2024 at Cankarjev dom and was presented at the Kondenz Festival in Belgrade.

As a dancer, she has performed in works by (among others) Boris Čakširan, Rebecca Murgi, Kaja Lorenci, Vita Osojnik, Boštjan Antončič, Karen Levi, Sebastijan Starič, Joao da Silva, Milan Kuzanek, Sanja Tropp Frühwald … In recent years, she has collaborated with choreographers Snježana Premuš, Andreja Rauch Podrzavnik, and Mateja Bučar. In this work, she explores in various ways how somatic practice manifests itself in the performance field, using the principles of instant composition, structured improvisation, and choreographic sketches as the foundational materials for performances, installations, and with the development of a specific dance language within specific choreographic structures.

As a choreographer and movement consultant, she has collaborated on more than 30 theatrical productions for adults and children at theaters in Serbia and Slovenia, as well as on Vuk Ršumović’s feature film *Ničije dete*. She created a contemporary dance choreography for the Kolo Ensemble in Belgrade. In 2005, she graduated from the Salzburg Academy of Dance (SEAD) and completed the Erasmus program “Dance as integrated in society and humanity” (SEAD and SNDO).